Comparing these hands to many in the history of photography Dadaism, Surrealism, Constructivism, and 70s performance artists I realized how prevalent the aesthetic value behind the meaning of this message was. In young contemporary photography, pictures of hands represent deictic gestures depicting an object, an action, a document, or a landscape, as if each photograph of a project represents a syntactic component of a new photographic language: subject, verb, direct object, and a complement of place. Deep in the hand research, I focused my interest on one gesture, the one that in my opinion could be the most iconic, ambiguous, and versatile: the fist and its polysemy. Every picture in the archive is considered as a codification of the gesture, corresponding a non-verbal act with its signification.
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