Aug 07, Pages Buy. Aug 07, Pages. Giovanni Civardi explores and explains the intricate process of depicting the female nude. From choosing your method of representation and deciding whether to draw from life or from photography, every facet of drawing the female nude is covered in this in-depth reference book, a valuable resource for any artist. Civardis own considered drawings provide an excellent basis for the artist wanting to expand their figure-drawing skills; and the author takes a practical, almost geometric, approach to depicting the female form, breaking down the body into basic shapes and portraying the female figure in a variety of simple and complex poses.
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Paintings of naked women, usually by clothed men, are suddenly sitting very uncomfortably on gallery walls. Male artists wonder whether they can work with the female form, while the world questions what their intentions were in the first place. By Michael Slenske. And the question of the moment has become: Is it still an artistically justifiable pursuit for a man to paint a naked woman? To answer this question, I reached out to a number of prominent male artists known for doing just that as well as for painting nude men.
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Depictions of nudity include visual representations of nudity through the history, in all the disciplines, including the arts and sciences. Nudity is restricted in most societies, but some depiction of nudity may serve a recognized social function. Clothing also serves as a significant part of interpersonal communication, and the lack of clothing needs to have a social context. In Western societies, the three contexts that are easily recognized by a majority of individuals are art , pornography , and information or science. Any image not easily fitting into one of these categories may be misinterpreted, leading to disputes.
Thousands of academics have gathered in Toronto this week for the annual Congress of the Humanities and Social Sciences, presenting papers on everything from whether poutine is a form of cultural appropriation to the ampersand as a symbol of gentrification. In this week-long Oh, The Humanities! Toronto newspapers printed more than letters to the editor both defending and lambasting the painting. In her paper, to be presented to the Congress of Humanities and Social Sciences on Wednesday at Ryerson University, Smither looks at why the nude never took hold in Canada in the first half of the 20th century — even as the Canadian artists behind the genre were celebrated in Europe.